Cassini, 2017, acrylic and archival ink on hand-dyed paper, 14 x 141 inches
Flamingo, 2017, acrylic on hand-dyed paper, 14 x 14 inches
Cape Farewell (Erik the Red), 2017, acrylic on hand-dyed paper, 30 x 22 inches
Captain James Cook (Transit of Venus), acrylic on hand-dyed paper, 30 x 22 inches
Baffin Island, 2017, acrylic on hand-dyed paper, 30 x 22 inches
Coconut, 2017, acrylic and archival ink on hand-dyed paper, 14 x 14 inches
Papeete, 2017, acrylic and archival ink on hand-dyed paper, 14 x 14 inches
Nubia (Sand Dunes), 2017, acrylic on hand-dyed paper, 24 x 20 inches
Yellow Dunes (Mui Ne), 2017, acrylic on hand-dyed paper, 24 x 20 inches
Hoodoos, 2017, acrylic on hand-dyed paper, 30 x 22 inches
Sweetwater, 2017, acrylic on hand-dyed paper, 14 x 14 inches
Green River (Soda Pop), 2017, acrylic on hand-dyed paper, 14 x 14 inches
Keto, 2017, acrylic on hand-dyed canvas, 60 x 48 inches
Plum, 2017, acrylic on hand-dyed paper, 14 x 14 inches
Pomelo, 2017, acrylic on hand-dyed paper, 14 x 14 inches
Halo, 2017, acrylic on hand-dyed paper, 30 x 22 inches
Invisible Places at Luna Rienne Gallery
San Francisco, California | November 18 - December 18, 2017
Invisible Places explores two artistic directions that Kelly Ording has pursued in her body of work. First is her signature line work, which she evolves with the use of brighter hues as well as color washes over coffee-dyed paper. Ording’s other series focuses on abstract landscapes, which render dreamy ethereal places that may not really exist. With these latest pieces, she explores weather and movement.